Joel Santos

A Kazakh man holding an eagle in front of a mountain landscape. Photo by Joel Santos on a Canon EOS 5DS R.
A Kazakh eagle hunter surrounded by the snowcapped Altai mountain range, Western Mongolia. Taken on a Canon EOS 5DS R with a Canon EF 24-70mm f/2.8L II USM lens at 1/200 sec, f/3.5 and ISO800. © Joel Santos

Portuguese travel photographer Joel Santos has a knack for capturing compelling and unforgettable imagery, and his adventurous nature also means he eagerly embraces new technology.

Joel's images transport us to remote parts of the world, and invite us to consider the people who live there. Whether he's capturing stunning shots of desert camel trains in Ethiopia, cormorant fishermen in China, or eagle hunters in Mongolia, his photographs give us a fascinating glimpse of what indigenous people get up to in their native environments. Joel has an eye for the wild and the remote, and his photographs are in the tradition of great travel writers and artists – opening up new windows on the world while, simultaneously, reminding us where we have come from, and asking us where we are headed.

Old fishermen on rafts with lanterns and cormorants, on a lake in China. Photo by Joel Santos on a Canon EOS 5D Mark IV.
Brothers Huang Yue Ming (90) and Huang Yue Chang (92) are part of the last handful of real cormorant fishermen in Guangxi province, People's Republic of China. Taken on a Canon EOS 5D Mark IV with a Canon EF 16-35mm f/2.8L III USM lens at 1/80 sec, f/3.5 and ISO1000. © Joel Santos

Joel describes his photography as being, "about emotion, passion and positive storytelling. But, as a former economist, I tend to use mathematics as the structure to guide my way of writing with light; I see beauty in these mathematical elements and I try to use them when creating an image. That's how I feel my photography is, which in turn is how I am."

Joel is at the forefront of new techniques, too, being one of the photographers who in recent years have been experimenting with drones to create incredible videos and images, and present a new perspective on short documentaries for us to enjoy. His aerial documentation of the Danakil Depression salt miners and the Erta Ale lava lake in Ethiopia scooped the Travel Photographer of the Year award in 2016.

"I'm humbled to be the first photographer to win that award with an aerial portfolio," he says earnestly. "Aerial photography and filmmaking provide a fresh and complementary perspective, which enriches the visual story, and documents something with a different depth and diversity. Sometimes I feel like a juggler because I have to be a pilot and a photographer at the same time, but I love it. Not being able to use a drone professionally would be like not being able to use a camera on the ground, they're both complementary and indispensable, and it's become a key part of my career." To date, Joel's aerial images have appeared in a catalogue of global media outlets including: the Guardian, The Daily Mail, The Sun, The Weather Channel and MSN.

What's the secret to photographing someone you've just met for the first time?
"Always respect the places and the people. Use photography as a universal language to get closer to people, and avoid the urge to become a hunter who sees them as prey. The more respectful you are, the richer your results, opportunities and personal growth will be."

Do you do anything different to other photographers who work in these remote locations?
"I like to print the photos and give them to the people while I'm there; it's just fair that you give something back whenever you can."

Do you have a go-to shooting setup?
"Every time I go out, I react and I learn something new, I adapt and change my ways. It's a dynamic process and every situation requires a different technique. First one must find the subject, the light and the story. Only after that comes whichever technique yields the best result."

How do you decide where to go and what or whom to photograph?
"First, I decide what I feel passionate about. Then I do my best to scout, not only in my office beforehand, but mostly while travelling, leaving my senses open to something that I see, hear or feel."

Is aerial photography difficult?
"Don't trust drone marketing statements like 'it's easy'. Flying is easier than ever, but they only work in optimal circumstances. Fly safely, practice a lot and learn everything you can about piloting a drone and its maintenance. Soon you'll know about winds, navigation, the operational limits of batteries in hot and cold climates, etc and develop quicker reactions."

Facebook: Joel Santos
Instagram: @joelsantosphoto
Twitter: @joelsantosphoto
Youtube: Joel Santos

A person stands on a cliff overlooking a volcanic crater on the island of Corvo, Portugal. Photo by Joel Santos on a Canon EOS R.
The volcanic crater island of Corvo, Portugal. Taken on a Canon EOS R with a Canon RF 28-70mm F2L USM lens at 1/320 sec, f/11 and ISO100. © Joel Santos
A portrait of an Indian sadhu (holy man). Photo by Joel Santos on a Canon EOS 7D.
A sadhu (holy man) in Varanasi, India. Taken on a Canon EOS 7D with a Canon EF 70-200mm f/4L IS USM lens at 1/400 sec, f/5.0 and ISO800. © Joel Santos

One thing I know
Joel Santos

"Never lose sight of your original passion. You will always be better at something you really love to do, that you truly feel in your heart. The ambition to get paid for your work, thus becoming a professional, might mislead you and decrease the chances of being original in a world where so many people do the same thing. So perfect your skills, look to others' work, not to mimic, but to learn what has already been done. Find an original story and perspective, and then let your passion drive you, always seeking to learn more and to improve on every shot you take."

Joel's kitbag

The key kit that the pros use to take their photographs

Canon Ambassador Joel Santos's photography kitbag.


Canon EOS R

"It's a dream come true: lightweight and feature-packed, allowing me to capture stills, video and timelapses that live up to the highest standards."



External hard drive

"Murphy's law is powerful, so backup while on the field is a must. No need for a laptop, thus saving space and weight, which is key for a travel photographer."

Carbon fibre tripod

"Lightweight and sturdy enough. Essential for long exposures and time-lapse videos."

Remote control

"Having three bodies shooting at the same time – stills, video and time-lapses – raises the need to shoot at a distance, sometimes more than 100 metres away."

Plates for strap/tripod mount

"Love the versatility of this system, enabling me to have the camera on the strap, tripod or backpack holder without any fuss."

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